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Bodies Bodies Bodies is a 2022 black comedy slasher film directed by Halina Reijn (in her English-language debut) and written by Sarah DeLappe from a story by Kristen Roupenian. It stars Amandla Stenberg, Maria Bakalova, Myha’la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, and Pete Davidson.
Bodies Bodies Bodies premiered at South by Southwest on March 14, 2022, and was theatrically released in the United States on August 5, 2022, by A24. The film received generally positive reviews from critics, who praised the humor and the cast’s performances—particularly Sennott’s.[3]
source: wiki
Summary:
When I first sat down to watch Bodies Bodies Bodies, I expected a fairly standard Gen Z slasher flick with some ironic humor—and while it does deliver on that surface level, it turned out to be a surprisingly sharp and stylish film that plays with genre conventions in clever and unexpected ways.
The setup is classic horror: a group of wealthy young friends gather in a remote mansion for a hurricane party, where they drink, dance, and decide to play a murder-mystery game. Naturally, things take a dark turn, and real danger replaces the fictional game. But what sets this film apart is the way it leans into social satire just as much as suspense. It’s not just about survival—it’s about ego, performative friendships, and the chaos of self-obsession in the age of smartphones.
Visually, the film is tight and immersive. Much of the story unfolds in near-darkness or under strobing lights, with characters lit by iPhones, glow sticks, and flashlights—which not only adds a sense of realism, but also reinforces how tech-obsessed and disconnected these characters are, even in moments of panic. The direction and editing keep the tension high, with a constant sense of unease and rising hysteria.
The cast is pitch-perfect for the material. Amandla Stenberg delivers a grounded performance amidst the chaos, and Maria Bakalova brings a vulnerable but observant presence to the mix. But the real breakout for me was Rachel Sennott—her comedic timing is razor-sharp, and she brings a much-needed dose of absurdity to a film that often walks the line between horror and satire. Pete Davidson also plays his part with a self-aware, almost meta edge that works surprisingly well.
What I found most interesting is how Bodies Bodies Bodies balances its tone. It’s genuinely funny at times—often in a cringe-worthy, uncomfortable way—but it also keeps the stakes real and the tension taut. The dialogue is deliberately exaggerated, full of buzzwords like “toxic,” “gaslighting,” and “triggered,” which might feel like parody at first, but actually serve the story’s critique of how modern communication often collapses in the face of real crisis.
Some viewers might be turned off by the characters’ narcissism and constant infighting—but honestly, that’s kind of the point. This isn’t a movie that wants you to like everyone. It wants you to question them. And maybe laugh a little too hard at how real it all feels.
Final thoughts: Bodies Bodies Bodies is a smart, stylish, and darkly funny thriller that skewers both horror tropes and modern social dynamics. It’s not just a whodunit—it’s a “who-do-you-trust” in a room full of people who barely know themselves. If you’re into genre films with a satirical edge and characters you love to side-eye, this one’s worth the watch.
